Maybe You Saw The Footage
Elinor Cramer
From a barstool I watched the Yankees,
amber bottles and our faces reflected in the mirror.
So many flickering screens around us—all on mute.
Our slugger let pitches go by. We waited.
The eighth inning against our long-time rival.
Bases loaded; he kept adjusting his gloves.
Screen to my left a basketball popped
off the rim, long arms whacked.
Our screen cut to a commercial for pest control—
The bartender turned his back to the bar,
rag in hand, pressed his ear to a small tv.
I watched what he watched—
Lights snaked a blackened street… Men,
hundreds of men, fire
wreathing their heads. Shields they carried, and flags—
though I couldn’t make out what country.
Skinheads—Oh! American heads—
three of them beating the hell out of some guy.
Next morning on my newsfeed, more footage.
A Dodge Challenger had roared
into the pumping heart of the crowd.
I must have watched it five times.
The Challenger jerked back like a cocked fist
and then it struck. The driver
was saying that he got riled.
But I’d seen a whole stadium agitate,
neck chords strained, “Just hit it, would ya?”
The ball, tapped, our Yank jogged
to first, runners advanced. I was glued to the slow-mo
cam—and didn’t I catch the fastball slam the mitt.
Elinor Cramer is the author of a poetry collection, She Is a Pupa, Soft and White, WordTech Communications. Her chapbook, Canal Walls Engineered So Carefully They Still Hold Water was made possible by a New York State arts grant. Mayflower was published by Redbird Chapbooks. Her poems have recently appeared or are forthcoming in Leon, Puerto del Sol, Sacramento Literary Review, Tar River Poetry, English Journal, and Stone Canoe. Elinor holds an MFA from Warren Wilson College. She lives in Syracuse where she practices psychotherapy.

