Two Poems

Johnathan Greenhuase

A Partial Accounting of Everything That’s Gone Wrong 

Our flailing tongues get tripped up 
upon a trail of yesterdays, the present a patchwork marriage
of our singular mistakes on display. Adept 
in the art of echolocation 
we bounce our words off each other’s bodies, swerve 
from critiques we aren’t yet ready for, take 
our pointed cues from bats 
to hover just out of reach of whatever 
would wound or adhere to us like truth, like spilled syrup 
to a diner’s pleather booths. To focus on what’s 
behind us, our heads are 
haphazardly stuck up our butts, our perspectives 
a bit crappy, our hair follicles hatching a plan with plumbers
to clog our bombarded drains, 
our pained limbs methodically disengaging 
like a crumbling empire’s failed artillery, our freewill 
acting suspiciously like fate, 
this list of ballooning transgressions growing too lengthy 
for any one poem to incorporate.


Showered in Confetti 

Imagine a solution so simple 
it’ll only work on paper, like our child-rearing plans 

before the baby’s born, 
her piano lessons & contemporary ballet & 

sword-swallowing: We’ll dull 
the downward blade before she ingests, straighten 

our daughter’s backbone, 
her arched vertebrae a trembling tower 

of building blocks, 
her forced smile contagious. She’ll be equally 

enamored with horses 
& glue factories, pine for a bygone era 

when their destinies 
were laboriously stuck together, both the rider 

& the writer, connection 
& erasure. Hoofprints mark the hardening mud, 

our suspect past decisions 
wedding her present & future paths, carrying 

all of us forward, our bodies 
jasmine petals pressed against the earth, its scent 

a sweet rot, our purpose 
fulfilled. After gathering this dust of years, 

we’ll patiently wait for her 
to visit, her own daughter in tow, nursing homes

sprouting all around, a trail 
of confetti showering us from our shredded plans.


Jonathan Greenhause’s first poetry collection, Cupping Our Palms (Meadowlark Press, 2022), was the winner of the 2022 Birdy Poetry Prize, and his poems have recently appeared or are forthcoming in Barrow Street, Bayou, The Fish Anthology, Michigan Quarterly Review, and Permafrost.

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