Pedigree, surprise, & another word for duty
Meghan Sterling
Poetry
Pedigree
What was it I wanted from them,
those who made me, those who
wove a bag of need out of the tendrils
of my hair, kept in a drawer for 40 years
The dust threading the brown silk. What
was it I thought they could do—buyers
of blue glassware and old honey, of money
hidden in the pages of Dickens, of letters
folded in the back of closets that smelled
of cheese. They do not sing the old songs,
standing at the window to watch the citrus
blossom, fruit, then fall. They do not remember
the light across the saw palms in summer,
how they held rain like resin in the violin’s bow.
Surprise
Nausea each morning, how I stagger
to the kitchen to make toast, the wildflower
bouquet I picked darkening the glass jug
murky green, my body in argument with dawn,
my body sickened with the leaking air conditioner,
the cat perched on her haunches on the one small
patch of rug that lies in shadow. I don’t know
what my body wants from me. Is it afraid of change,
haunted by the specter of all that has killed the women
I love, or is it the soft arms and skin of something smaller,
something that came unbidden into my body to grow in darkness?
O closet of this body, how many secrets will you shutter
from even yourself? Your wants, your selfish wants, all that is
small and soft, the sugar licked clean from a mouth that isn’t yours.
Another Word for Duty
There’s a simple pattern to growth:
fallow, fallow, fallow, then fruit.
Hollow spring days spent as a seed
resting on the surface of soil, the surface
blue as an eggshell. How could she have known
how deep she would have to go to take root?
She asked to help with the dishes. She asked to slide
deeper into the dirt. You came up behind her
and whispered—I see you. Everyone thinks
you’re kind but you are not. She kept washing
the plate, its white ceramic sheath, its tender
foam. She held on to keep from breaking it.
She held on to keep from breaking. She scrubbed the lip
of the mason jar. She worked the lid’s brown rust.
At the sink she gave birth to a self that hid like a worm
under ferns, curled fist beneath a cover of green,
skin green, eyes still as cut geodes, dormant
as a broken black walnut, as a volcano.
Meghan Sterling (she, her, hers) lives in Maine. Her work is forthcoming in The Los Angeles Review, Rhino Poetry, Nelle, Poetry South, and many others. These Few Seeds (Terrapin Books, 2021) was a Eric Hoffer Grand Prize Finalist. Self-Portrait with Ghosts of the Diaspora (Harbor Editions), Comfort the Mourners (Everybody Press) and View from a Borrowed Field (Lily Poetry Review’s Paul Nemser Book Prize) are all forthcoming in 2023.